Helighetens bilder


Projektet Helighetens bilder är en serie föreläsningar, diskussioner och sammankomster om helighetens visuella uttrycksformer. Seminarierna ska ledas av Tom Sandqvist, professor i konstteori och idéhistoria och arrangeras i samarbete mellan Rönö församling, Salongen i Lid och Lids bygdegårdsförening.

Helighetens bilder tar sin utgångspunkt i en nyligen förd tidningsdebatt om kyrkan och heligheten i det sekulariserade samhället och söker olika nedslag för hur heligheten uttrycks genom konsthistorien och i den svenska samtidskonsten. Tom Sandqvist tar publiken med på en resa med referenser från den rysk-ortodoxa ikontraditionen och det tidiga renässansmåleriet till mer modern performance, dadaism och genusteorier.

För att kunna finansiera de elva föredragen och seminarierna söker nu arrangörerna finansiering genom Crowdculture: http://www.crowdculture.se/se/projects/helighetens-bilder

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Inspiration

Often when I go to the Kickstartersite, I am so impressed by the films that project owners has done to promote their project. Often, they are well produced and with good quality, which is perhaps not the easiest thing for everyone to do. You may have neither the money nor the knowledge and equipment to produce a really good video.

But just as often, I am impressed by a story that captivates me, or by a projectowner who  really is personal and honest with his/hers intentions. In those cases, quality plays no role whatsoever. Kickstarter blogged about the videos that they thought was the best in 2011. You can see them here.

One of my favorites are dance movie Girl Walk / / All Day.

Hopefully you will get some inspiration from the videos!

//F

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Avatarvaro, where the audience is doing all the work

Avatarvaro is doing great at the moment! All their performances at Turteatern in Kärrtorp went full houses in December and now they are working on setting up the show at other venues. In this video Gabriel Widing tells a little bit more about the show (in swedish).

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Pulp Puppets are preparing their new show

We went out to Bagarmossen to meet the people behind the live animated show, Pulp Puppets. Their new show Genesis, a science fiction about the detective Jaqeline Olsson, is partly funded trough Crowdculture. The show is about to premier in the beginning of this year. Check out the Pulp Puppets and their exciting solutions of set design and live shows, in the video above (in swedish).

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Crowdfunding platforms focusing on creative projects are the most popular

The British crowdfundingsite Please Fund Us has in collaboration with Crowdsourcing.org done a survey in which they examine the different crowdfunding platforms that exists in the world today. They have among other things, analyzed factors such as what type of crowdfunding is most common, where you find the largest number of platforms and what trends can be seen.
Their study shows that  most of the platforms are situated in North America (44%) and after that comes Europe (41%).
15 % of the platforms is in the rest of the world.
Countries that are at the top is the U.S. (41%), Britain (10%), Netherlands (7%), France (7%) and Brazil (6%). In Sweden, the study finds three crowdfunding platforms.

The picture shows in percentage where you can find crowdfunding platforms in the world.

The picture shows in percentage where you can find crowdfunding platforms in the world.

When we have been out on workshops and talked to creators about Crowdculture, many of them reacts on the fact that you have to reach 100% of your budget to get it paid. Our respond is that if you have promised to do something for a certain amount of money, you can’t achieve the same result with less money.  Moreover, it could result in a lot of projects that will not take place because it is too small sums paid. The surveyd shows that 57 % of all the crowdfunding platforms are using the same model. They call the model “All or Nothing”. 28 percent of the platforms are using the model ”Keep what you raised.” The rest of the platforms are using “Other”.

An interesting observation is that most platforms have a creative focus, as much as 49%. 35% have a social orientation, and 16% a business orientation.
It seems in other words, as the creative forces is something people want to support! Good news.

If you want to check out the survey you’ll find it here:
http://www.crowdsourcing.org

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“It’s important for the supporters to feel involved”

Solveig Hellmark and Kristina Schollin-Borg had their project Designsajten partly financed by Crowdculture. We were impressed by how quickly they managed to gather supporters, so we did a short interview with Solveig on how they went about it.

You have just found out that you are receiving support via Crowdculture, what happens next?

– We are pleased and grateful that we have received support from Crowdculture. It allows us to add an essential and vital component to achieving our ultimate goal, to make Designsajten with its unique content accessible to the public. If all goes according to plan, we are now able to launch the site in the beginning of next year.

Designsajten

Designsajten

What were you thinking when you first heard about Crowdculture?

– That it was an odd name and I was first unsure of what it was.

You quickly gathered many founders.  You might have some tips for other creators on how to engage people to support them?

– We got in touch with Vinnova and trough them we found Crowdculture. We put up our project Designsajten and then we looked at the other projects. We found out how other people had done to succesfully get funded. Then we talked with friends, colleagues and people we thought would fit on our page.
We thought it was important to tell and explain to as many people as possible what we wanted to do and ask them to sponsor us. We had an idea within our own industry which we really thought was needed. Therefour there wasn’t hard to find people who were interested. Then we worked actively in the immediate circle to disseminate information about the opportunities that this slightly different sponsorship form would give us. Most of the people we talked to liked the idea and wanted to give us their support.

Do you see any benefits of a funding through Crowdculture, compared to traditional applications? 

– Yes, traditional applications to receive finance are targeted to special groups and if you do not fit into such a group, you can not search. We looked around but there was nothing for us. We think it is good with Crowdculture because everyone is welcome to apply.

What do you think of  involving an audience before the project is finished?

– We believe that one should talk about their projects at an early stage. One must be prepared for discussions, they can even improve the result. Discussions can bring up things that you didn’t thought of before, which is good. By engaging the audience early, you can avoid mistakes and it is important that everyone feels involved.//

Five quick tips:
- Tell the audience about your project at an early stage
- Be clear about your idea
- Invite your supporters to discuss the project
- If you find out that your project meets a need – use that fact 
- Let your supporters feel that they are a part of the project

/Frida

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These projects got financied

Now we have closed crowdculture for this year. The projects that got financied during our betatest was Women in Black3-stepKulturkronanAvatarvaroDrömfinnaren and Hinder We have written about Avatarvaro and Hinder (that now goes under the workingname Freakshow Stockholm).  Read here and here.

Lesbiska på riktigt

Lesbiska på riktigt

Other projects that also got financied is Lesbiska på riktigt, Tosca, Designsajten and Doftgången.

Hopefully we will put up more interviews on our page with people who succesfully got their projects financied.

Congrats to you all!
And don’t hesitate putting up other projects next year when our page is up and running again.

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Freakshow Stockholm transforms obstacles into opportunities

Freakshow Stockholm

Freakshow Stockholm

Obstacles, what is that? Something negative that you want to get rid of, go past or beyond? Or perhaps something good, a must to reach happiness? Ann Lindberg choreographer for the dance theater Freakshow Stockholm wants us to open our minds.

Ann meets me outside the rehearsal room in Årstaberg, where the dancers is going to meet for the first time. Together with production designer and costume designer Anja Rühle with whom she has Nobody Dance Production, Ann wanted to explore obstacles. What it means to people, and how different our obstacles look like depending on who we are.

– We should explore our own obstacles to be able to reach development, says Ann. I think a man who has everything, which does not face any adversity or difficulty will not be happy.

She believes that once we see the obstacles we encounter in life, we can decide how we want to relate to them. It may be physical barriers that are built into our infrastructure, such as a staircase into the cafeteria or a narrow door. But it can also be psychological barriers in our social structures as the fear of standing out or fail.

Six dancers from different backgrounds are included in the Freakshow Stockholm. Such as 71-year-old Siv Andersen who has danced all her life and refuses to quit. Or Henrik Wenner and Jenny Wikström as Ann got in touch with trough Riksförbundet Sällsynta diagnoser (National Association of Rare Disorders.)

Ann instructs the dancers in a friendly but firm voice.

The dancers prepare for draging themselves over the floor. From the left: Henrik Wenne, Jenny Wikström, Calle Stenbäck, Louise Kvarby och Siv Ander.

The dancers prepare for draging themselves over the floor. From the left: Henrik Wenne, Jenny Wikström, Calle Stenbäck, Louise Kvarby och Siv Ander.

- Now drag yourselves across the floor to the other side only by using arm strength, she says. At the same time, you shall say out loud what you can do. On the way back you’ll say what you want to do instead.

The dancers crawls across the floor and voices bounces off the white walls. It looks exhausting to pull yourself across the floor while talking at the same time.
– On the way back I kept thinking of how much I want to fall in love, I couldn’t let go of the idea, says Henrik Wenner.

Ann chooses to take Henry’s wishes of love in to the next improvisation exercise. Henrik must stand at the front with his back to the others. Ann asks him to show through dance how he thinks it feels like when being in love. The other dancers then interpret his movements in their own way.

Caroline Bonaldi, costumeassistant, is drawing the dancers.

Caroline Bonaldi, costumeassistant, is drawing the dancers.

The concentration thickens the room and the dancers’ bodies move, somethings in sync, sometimes with their own interpretations.

- I’ve seen other shows where they deal with different disabilitys, but I do not think they take on the subject for real, says Ann. In Freakshow Stockholm, I show that most people meets obstacles in life, and that it is important to dare to show them.
Freakshow Stockholm premieres March 3 on Dramalabbet.

The show (which had the working title of Obstacles) is partly funded trough Crowdculture.

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Workshop in Nyköping

Now we have started with our workshops throughout Sweden. We have had the honor to meet creative people in Karlshamn, Växjö, and most recently in Nyköping.

Culturum in Nyköping. The building houses both conserthall, culturecentre and a library.

Culturum in Nyköping. The building houses a conserthall, a culture-centre and a library.

The creators in Nyköping gave us an interesting and inspiring meeting. Some of them are already thinking of projects they want to put up on crowdculture.se when we start up the new page next year. We got questions about how old you have to be to launch projects, if there is no lower age limit. The answer to that question is that we would like to see anyone who wants to set up projects on the side to do so, regardless of age. We can solve it in dialogue with the regions and maybe by engaging someone over eighteen who can be responsible for those kind of projects.

During the workshops we have received lots of good questions, all responses will be sent to the participants, and added up in our FAQ on the website.

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Swedish newspaper Smålandsposten writes about Crowdculture

Last week we were at Växjö and Karlshamn and meet people who wanted to know more about crowdculture.se. The local newspaper in Växjö interviewed one of our collaborators. Read more here (in swedish)

 

 

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